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Shop Canadian Art Online | Saskatoon Art Gallery How Can We If Your Heart Is Not Broken/ Cabinet #5 by Gerry Ruecker
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How Can We If Your Heart Is Not Broken/ Cabinet #5 by Gerry Ruecker

CA$875.00

How Can We If Your Heart is Not Broken/ Cabinet #5 may be hung or rested against a wall. This cabinet is from a series called dubious remedies for far-fetched afflictions of the first world. This artwork measures 16 wide x 23 tall by 6

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How Can We If Your Heart is Not Broken/ Cabinet #5 may be hung or rested against a wall. This cabinet is from a series called dubious remedies for far-fetched afflictions of the first world. This artwork measures 16 wide x 23 tall by 6

How Can We If Your Heart Is Not Broken/ Cabinet #1 by Gerry Ruecker
How Can We If Your Heart Is Not Broken/ Cabinet #1 by Gerry Ruecker
CA$1,350.00
How Can We If Your Heart Is Not Broken/ Cabinet #2 by Gerry Ruecker
How Can We If Your Heart Is Not Broken/ Cabinet #2 by Gerry Ruecker
CA$1,350.00
How Can I? How Can We If Your Heart Is Not Broken/Profusion by Gerry Ruecker
How Can I? How Can We If Your Heart Is Not Broken/Profusion by Gerry Ruecker
CA$1,275.00

How Can We If Your Heart is Not Broken/ Cabinet #5 may be hung or rested against a wall. This cabinet is from a series called dubious remedies for far-fetched afflictions of the first world. This artwork measures 16 wide x 23 tall by 6

I am a self-educated Regina artist of over 30 years, working in mixed media construction.  My current work is an exploration referencing ideas of a sense of place, personal and impersonal histories (both real and imagined), and permanence/impermanence.  The work consists of the synthesis of cast-off, discarded items (such as old pieces of reclaimed wood and building materials, rusted metals etc) with highly contrasting ornate baroque-influenced picture frames, and other miscellaneous related materials.

Born and raised locally in the Prairies, I have for the majority of my life, felt a special affinity for and been drawn to age-worn and discarded materials, and the imagined histories of abandoned rural buildings.    

Paradoxically, after a life-changing introduction to the magnificent  work of Spanish Architect Antoni Gaudi, I am equally drawn to the excessive, elaborate ornamentation exemplified for example, by the Baroque period.  In blending the no longer wanted or needed items within an excessively elaborate style that has been for centuries the standard of ‘classy’, a completely new life develops and blossoms from the old.

My working method is intuitive and spontaneous in nature, much like improvisation in music…..and the course of life itself.  Each work is an ongoing exploratory progression, developing in a completely unplanned fashion, with no prior fixed idea of either how the piece will develop, or of the specific materials that will be included in its construction.  

My primary creative influences are diverse, including first and foremost Antoni Gaudi, also significantly, Wabi Sabi, the Japanese philosophy of imperfection and impermanence, the American Sculptor Nick Cave, and the Italian Design group Memphis.

I have exhibited frequently in Canada and Jamaica in solo and group shows, including the 2008 Jamaica Biennale, and my work can be found in numerous public and private collections, both nationally and abroad, including the City of Regina and the Saskatchewan Arts Board.

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